Recording Mixing & Mastering

Services

Recording

In-studio, Sydney

Whether you're tracking a full band, adding overdubs or recording a solo project, I offer a relaxed and collaborative recording environment focused on capturing authentic performances rather than chasing perfection.

From live drums and guitars to synthesisers, vocals and experimental instrumentation, I work with artists across indie rock, psych, shoegaze, electronic and alternative music. Sessions can be as hands-on or self-directed as you like, with guidance available throughout the creative process.

Mixing

In-studio or remote

Every mix starts with the same goal: bringing out the emotion and character of a song while making sure every element has its place. Whether you've recorded at home, in another studio or with me, I can take your session and turn it into a polished, balanced mix that's ready for release.

Rather than forcing a mix to sound loud or over-processed, I focus on clarity, depth and dynamics, creating mixes that translate well across headphones, speakers and streaming platforms while still feeling natural and engaging. For a single song, expect a first mix back within about a week, with revisions turned around in 1–2 days — the more clearly your stems are labelled and exported, the faster that turnaround holds.

Need cleanup on its own — noise reduction, comping or pitch correction on a vocal or track you recorded at home? That falls under Podcast & Audio Editing below.

Mastering

In-studio or remote

Mastering is the final step that brings consistency, clarity and cohesion to a finished mix, preparing it for release across streaming, vinyl or physical formats. I work with mixes recorded and mixed anywhere — including sessions completed at home or in another studio — and master remotely, so location is never a barrier.

Rather than chasing loudness for its own sake, I focus on translation: making sure a track holds up across headphones, club systems, vinyl and streaming platforms while keeping the dynamics and character of the mix intact. I use a combination of analogue outboard and modern digital tools to get there, with an ear tuned toward warmth and detail rather than over-compression. Turnaround is typically 1–2 days per song, provided files are supplied in the right format and clearly labelled.

Podcast & Audio Editing

In-studio or remote

Podcast and dialogue editing is about clarity and consistency — making sure your audience can hear every word without distraction, whether that's a solo voiceover, an interview, or a multi-guest conversation recorded remotely.

I handle noise reduction, level balancing, cutting out mistakes and dead air, and general cleanup, then deliver files ready to publish or hand off for video. If you're recording with guests in different locations, I can also help troubleshoot your setup beforehand so the finished edit comes out cleaner and faster.

This isn't limited to podcasts — if you've tracked vocals or dialogue at home and need noise reduction, comping or pitch correction before it's mixed, this covers that too.

About Me

Studio Gear

A snapshot of what's on hand in the studio — mic pres, mics, outboard, synths, guitars, amps and pedals. Items marked with an asterisk (*) are on long-term loan or belong to a studio partner; get in touch to confirm availability ahead of your session.

Testimonials

Steve's extensive knowledge, patience, professionalism, friendly demeanour, and genuine passion for music have made him a trusted collaborator not only for me, but for many other local artists. His considerate approach inspires creativity through thoughtful collaboration, which is why he has built an eclectic portfolio as a producer and recording engineer.

Luke O'Farrell — The Laurels, The Black Ryder, The Dolly Rocker Movement, and Terza Madre

Dovetale has worked with Steven on recording, mixing and production for multiple projects, including my debut album. I have had nothing but fantastic experiences with Steve and his studio, and always found him to be friendly, professional and deeply knowledgeable. His approach to recording is gentle and encouraging, and he always worked to make sure the musicians felt comfortable and supported.

Tom Hume — Dovetale

Having worked with Steve on projects with my band “Small Town Incident” and solo electronic outlet “ddsot_” I know Steven is a dedicated and very talented artist, producer and audio wizard! His work ethic is high-level, and quality output is competitive with the larger production studios.

Skels — Small Town Incident / ddsot_

Bands I've Worked With

A selection of artists and bands I've recorded, mixed, produced, or worked with on the road.

FAQ

How does remote mixing and mastering work?

You send me your session or stems through a file-sharing service like WeTransfer, Dropbox or Google Drive. I work on the project, send back a preview, and we go through revisions over email until it's ready — no need to be in the same city, or even the same country.

What files do you need from me?

For mixing: individual tracks (stems) as WAV files, 24-bit where possible, with no processing on the master bus. A reference track or two — songs you love the sound of — helps a lot. For mastering: your final mixed WAV file, ideally with a little headroom and nothing on the master bus limiting it further.

How many revisions are included?

3 revisions on mixing before a $60/revision fee applies, and 3 revisions on mastering before a $30/revision. With good communication upfront, this rarely comes up.

How much does it cost?

Mixing from $600 per song, mastering from $60 per song, with EP/album packages available at a discount.

Can you master a mix that I did myself, or that another engineer mixed?

Yes — mastering is a standalone service and doesn't need to follow on from mixing with me.

What genres do you work with?

Mostly indie rock, psych, shoegaze, garage and alternative — but the process above applies regardless of genre.

First mixes back in about a week, mastering in 1–2 days.